
Bill T. Jones/Arnie Zane Dance Company and The Chamber Music Society of Lincoln Center
October 3–5
The Calle 54 Concert
October 9
Ballet National du Senegal
October 11
Philip Glass Ensemble
October 16
Salif Keita
October 23
Steven Berkoff
October 26
Keb’ Mo’
October 28
Maria Farantouri & Maryó
November 1
Perlman/Schmidt/Bailey
November 3
Joe Goode Performance Group
November 7
Pat Metheny Group
November 17
da da kamera
January 18
Juilliard String Quartet
January 26
Nadja Salerno-Sonnenberg & The Assads
January 30
Canada’s Royal Winnipeg Ballet
February 5
Blind Boys of Alabama with Charlie Musselwhite
February 6
Juana Amaya y Farruquito
February 11 & 12
Ballet Hispanico
February 21 & 22
Sarah Jones
February 27
Celia Cruz
March 4
CONCERT CANCELLED
Terry Gross
March 7
Simon Shaheen
March 12
Denyce Graves
March 18
Lang Lang
April 3
Ellen Hargis & Paul O’Dette
April 6
The Acting Company
April 9
Muzsikás & Márta Sebestyén
April 12
Nederlands Dans Theater II
April 14 & 15
Chucho Valdés Quartet
April 16
David Sedaris
April 27
Youssou N’Dour
April 29
CONCERT CANCELLED
Ravi & Anoushka Shankar
May 1
Spalding Gray
May 7
CANCELLED
Los Angeles Guitar Quartet
May 10
Afro-Cuban All Stars
May 10

CANCELLED
“A wry Will Rogers for the fin-de-siecle...
a delicate and precise textual craftsman.”
—New York Post
Writer and actor Spalding Gray has decided to postpone performing his most recent monologue, Life Interrupted (which originally had the working title Black Spot). Due to delays resulting from a recent hospitalization, Gray needs additional time to develop this monologue. Instead of this originally advertised work, Gray will return to Santa Barbara as scheduled on May 7 with one of his favorite pieces Interviewing the Audience.
For the last twenty years Spalding Gray has toured this funny, poignant and insightful theater piece, although Arts & Lectures has never before presented it. Gray invites four audience members onstage and gets them to reveal their innermost desires, fears and joys, prompting them with empathetic questions and quips. Hailed by the Washington Post as a master of “public psychotherapy,” Spalding Gray creates a cathartic event for performer and audience.
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